2745
06 Nov 12 at 4 pm

mhnmimi:

君はうそつき(2012)/ななこ

(via skyion-deactivated20130420)

tags: art  pastel  Illustration 
mhnmimi:

君はうそつき(2012)/ななこ
 897
10 Sep 12 at 6 pm

theveryworstthing:

on this episode of My Little Pony: Friendship is Magic, Rarity finds a throne of stone and cloth while out looking for gems and becomes She Who Sews The World. Will her new position as a crystal goddess of creation make it hard to spend time with her friends? Or will they overlook it because she can undo their very being?

theveryworstthing:

on this episode of My Little Pony: Friendship is Magic, Rarity finds a throne of stone and cloth while out looking for gems and becomes She Who Sews The World. Will her new position as a crystal goddess of creation make it hard to spend time with her friends? Or will they overlook it because she can undo their very being?
suicideblonde:

Soey Milk
poisoned-apple:

(via 今井キラ)
 228
27 Jul 12 at 8 pm

poisoned-apple:

Snow White’s silhouette print - Kira Imai for Angelic Pretty
poisoned-apple:

Snow White’s silhouette print - Kira Imai for Angelic Pretty
skymin:

すず
 4975
04 Jul 12 at 11 am

mhnmimi:

白昼夢(2012)/ななこ

daydream

(via 7ae)

tags: pink  japanese  art  Illustration 
mhnmimi:

白昼夢(2012)/ななこ
daydream
grossier:

lichty
 1038
02 Jul 12 at 7 pm

oncealoyallover:

Fashion illustrations from Richard Kilroy. 

oncealoyallover:

Fashion illustrations from Richard Kilroy. 
 372
27 Jun 12 at 12 pm

slcvisualresources:

Vija Celmins, Starfield I, graphite on paper, 1982

Vija Celmins (b. October 25, 1938), American painter, sculptor, object-maker and draughtswoman, of Latvian birth. In 1944 her family fled to eastern Germany, eventually settling near Esslingen am Neckar (Baden-Württemberg) in the west. In 1948 they moved to the USA, staying briefly in New York before resettling in Indianapolis. Celmins spent much time drawing and painting at school and at home, although she did not yet speak or write English. She studied painting at the John Herron School of Art in Indianapolis (1955–62) and regularly visited New York to see the work of the Abstract Expressionists. After attending the summer session at Yale University, New Haven, where she met a strong community of students and artists, she decided to become a painter (1961). She then attended the University of California, Los Angeles (1962–5). From 1966 Celmins took photographs as subjects for paintings. In painted and drawn works since 1968 she drew upon photographs from books, magazines and those taken by herself, including views of the sea, desert and constellations. In such works as Moon Surface (Luna 9) No. 1 (1969; New York, MOMA) she carefully built up and layered marks to create a distance between photograph and painting, also calling attention to the paper surface. Her persistent attention to the psychological implications of the artistic process in relation to the formulation of images made the images objects for contemplation. One of her most visually and conceptually challenging works is To Fix the Image in Memory 9 (1977–82), a series of 11 stones, both real and cast-bronze, painted with acrylic. (Grove Dictionary of Art, Oxford University Press)

(via fettling)

slcvisualresources:

Vija Celmins, Starfield I, graphite on paper, 1982
Vija Celmins (b. October 25, 1938), American painter, sculptor, object-maker and draughtswoman, of Latvian birth. In 1944 her family fled to eastern Germany, eventually settling near Esslingen am Neckar (Baden-Württemberg) in the west. In 1948 they moved to the USA, staying briefly in New York before resettling in Indianapolis. Celmins spent much time drawing and painting at school and at home, although she did not yet speak or write English. She studied painting at the John Herron School of Art in Indianapolis (1955–62) and regularly visited New York to see the work of the Abstract Expressionists. After attending the summer session at Yale University, New Haven, where she met a strong community of students and artists, she decided to become a painter (1961). She then attended the University of California, Los Angeles (1962–5). From 1966 Celmins took photographs as subjects for paintings. In painted and drawn works since 1968 she drew upon photographs from books, magazines and those taken by herself, including views of the sea, desert and constellations. In such works as Moon Surface (Luna 9) No. 1 (1969; New York, MOMA) she carefully built up and layered marks to create a distance between photograph and painting, also calling attention to the paper surface. Her persistent attention to the psychological implications of the artistic process in relation to the formulation of images made the images objects for contemplation. One of her most visually and conceptually challenging works is To Fix the Image in Memory 9 (1977–82), a series of 11 stones, both real and cast-bronze, painted with acrylic. (Grove Dictionary of Art, Oxford University Press)
 651
26 Jun 12 at 12 pm

(via minotchi)

tags: food  Illustration  cake